2026-2027 Season
Thought-provoking performances. Community connection. Continued excellence.
August 20-30, 2026
The Logan Festival of Solo Performance
Stay tuned for the full schedule!
October 8-25, 2026
Betrayal
Written by Harold Pinter
Directed by Alex Levy
Emma, Robert and Jerry have history. As her marriage to Robert comes to an end, Emma reconnects with Jerry, her former lover—and her husband’s best friend—as the action unspools backward in time in an inventive retelling by the Nobel Prize-winning playwright. At once utterly domestic and dangerous, uncovering hidden truths and revealing how little we know about those we think we know so much about, it’s an “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken”- The New York Times
December 3-20, 2026
The Tall Girls
Written by Meg Miroshnik
Directed by Madeleine Regina
Sometimes basketball is the only way out. Even for a girl. Even in the Dust Bowl of the 1930s.
The tiny hamlet of Poor Prairie doesn’t see a lot of folks coming into town, least of all men – they’ve all left to find desperately needed work. So when one gets off the train, everybody talks, especially the high school girls looking for a meal ticket. The marryin’ kind. But this man is mysterious. He’s from Poor Prairie, but nobody knows where he’s been and his story’s got some… gaps. A few things are clear, though – he’s teaching at the high school, he knows basketball, and most importantly, he has the only inflated basketball in town. As for that meal ticket? He may just have that after all, if he can get his Poor Prairie girls good enough at basketball to sell a few tickets. And keep ’em from marryin’ off. And out of fights. And out of the sights of the Committee on Play, Girls Division (it’s the 1930s – when basketball was “dangerous” for girls). And stay ahead of that mysterious past…
Inspired by the flourishing and the decline of high school girls’ basketball teams in the 1930s rural Midwest, The Tall Girls asks: Who can afford the luxury of play? And what is the cost of childhood? Featuring a strong ensemble of female characters, The Tall Girls examines issues of class and gender amidst the historic 1930s Dust Bowl. “Out of the ordinary, in a genre unique unto itself, and thoroughly entertaining” – Atlanta Cultural Arts Review
February 11-28, 2027
The Travelers
Written by Luis Alfaro
Directed by José Carrasquillo
Humorous and poignant, The Travelers takes place in a monastery alongside Highway 99 in Grangeville, California, population 496 and home to migrant workers. When a stranger stumbles in with a gunshot wound, he is nursed by the brothers of the 936-year-old Carthusian Order — even as the Archdiocese is cutting financial support, casting a shadow. Funny and heartfelt, filled with ritual and absurd touches, The Travelers explores the brothers’ struggles against poverty and the complexities of human connection. “Laugh-out-loud hilarious, magical storytelling…” – People’s World
April 8-25, 2027
Jack Absolute Flies Again
A co-production with Prologue Theatre
Written by Richard Bean and Oliver Chris
Directed by Alex Levy
From the writer of the Broadway smash hit One Man, Two Guvnors comes a hilarious new play, set in 1940s British summertime. After an aerial dog fight, Pilot Officer Jack Absolute flies home to win the heart of his old flame, Lydia Languish. Back on British soil, Jack's advances soon turn to anarchy when the young heiress demands to be loved on her own, very particular, terms. Richard Brinsley Sheridan's classic comedy of manners, The Rivals, is given an uproarious Battle of Britain update by Richard Bean and Oliver Chris. “An enormously loveable show” – Sunday Times.
June 3-20, 2027
Bulrusher
Written by Eisa Davis
Directed by Deidra LaWan Starnes
Found floating in a basket on the river as an infant, Bulrusher is an orphan with a gift for clairvoyance that makes her feel like a stranger even amongst the strange: the taciturn schoolteacher who adopted her, the madam who runs her brothel with a fierce discipline, the logger with a zest for horses and women, and the guitar-slinging boy who is after Bulrusher's heart. Just when she thought her world might close in on her, she discovers an entirely new sense of self when a girl from Alabama comes to town. Passionate, lyrical, and chock full of down-home humor, this play is an unforgettable experience by a new, thrilling voice. “An engrossing rush... Eisa Davis' gleaming marriage of poetry and myth... has a big heart and a wide-open soul” – Minneapolis-St. Paul Star Tribune.